Showing posts with label Dan Snyder. Show all posts
Showing posts with label Dan Snyder. Show all posts

Sarasota Architecture Inspires Graphic Designer to Preserve Its Legacy

Lido Shores resident Janet Minker is a tireless advocate for preserving Sarasota’s historical buildings — and, by association, the city’s character and charm.

By
Key Life Style Magazine, Spring 2024
Photos by Lori Sax

https://www.yourobserver.com/news/2024/jan/29/sarasota-architecture-inspires-designer-preserve-legacy/

Janet Minker 2024
Janet Minker’s love of architecture is rooted in her career as a graphic designer.

When Janet Minker and her husband, Elliott Himelfarb, moved to Sarasota from their longtime home in Bethesda, Maryland, in 2008, they had originally planned to buy an old house and remodel it. But then they discovered Lido Shores, the historical epicenter of the Sarasota School of Architecture.

The movement, which emerged in the 1940s under the aegis of local architects Ralph Twitchell and Paul Rudolph, combined post-World War II modern design with elements that addressed Florida’s climate. The style became known worldwide.

In thrall of the Sarasota School, the couple purchased an empty lot on Lido Shores, hired architect Jonathan Parks, and invested three years into building their dream home — a stylistic marvel that upholds the neighborhood’s modernist tradition.

Minker went on to become a tireless advocate for, not just the Sarasota School, but for preserving Sarasota’s historical buildings — and, by association, the city’s character and charm. Minker and Himelfarb joined the Sarasota Architectural Foundation (SAF), which raised awareness about Sarasota architecture, offered tours of landmarks like the Umbrella House and the Cocoon House, and presented lectures and other events. Minker, Himelfarb and their friend Dan Snyder ended up leading the group. Under their direction, it founded the Sarasota MOD Weekend, which celebrates Sarasota architecture and its prominent historical figures. The 10th annual MOD took place in November.

For her efforts with SAF, in 2017, Minker won the Bob Graham Architectural Awareness Award from the Florida-Caribbean Chapter of the American Institute of Architects. It’s the organization’s highest award for non-architects. That same year, Minker stepped down as board chair. SAF ultimately merged with the Center For Architecture, which is now known as Architecture Sarasota. 

Minker’s love of architecture is rooted in her career as a graphic designer. A minister’s daughter, she moved around a lot, mostly in the mid-Atlantic. She worked as a designer for Tetrad in Annapolis in the latter half of the 1970s, then became a creative director in the Georgetown office of the Porter Novelli PR firm.

While there, she helmed print campaigns for the USDA’s food stamp program and the first breast cancer awareness initiative mounted by the National Institutes of Health. In 1983, she formed Minker Design, which is still active, though Minker says she now does exclusively volunteer work.

Minker and Himelfarb marked their 40th wedding anniversary in December. She turned 70 on New Year’s Eve.

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Building our house was a tough endeavor. 
I’m so happy we did it, but I don’t know if we’d ever do it again. The house is so perfect for us. Not a day goes by that we’re not happy we’re here.


I’ve certainly become more politically minded here in town. I’m not a politician, but I believe strongly in voting for people who are passionate about caring for the city and not wanting to just tear it all down and become a mini Miami.

Our first major initiative at SAF was advocating for the appropriate rehabilitation of the Paul Rudolph-designed addition to Sarasota High School. It was under great threat. The school board was going to do some drastic changes and was even considering demolition. With the help of architect Carl Abbott, my mentor, we fought hard and we saved it. 

I’m the architectural advocate for an organization called CityPAC Sarasota. They’ve developed a thing called the City Hall Monitor. It’s like a report card that shows all the city commissioners and our city manager and rates their performance after each meeting.

I’m active on Instagram, and I post a lot about architecture. Several years ago, I got messages from Pee-wee Herman — Paul Reubens — and we developed this nice correspondence and phone conversations. He grew up in Sarasota. He lived in this Japanese-style home. He said, “Janet, I don’t know the architect, but maybe you can find out.” I discovered who the architect was [Erwin Gremli], and he was all excited. He was quite a wonderful, lovely person and just kind of unique, you know.

Elliott, Janet and beloved dog Gracie
One of my favorite rituals is taking a morning 3-mile hike down Lido Beach, which I started during the pandemic. It’s still a great joy.

Mote Marine is right near our house, and it’s one of our favorite organizations. Every year we adopt a turtle nest to help their research program, which monitors and protects endangered nests. That’s a very cool thing, and it’s kind of fun to walk along the beach and you see your nest sitting there.

We like to go to Crab & Fin on St. Armands Circle, just a mile from here. We walk there and Gracie, our adopted Labradoodle, can sit outside with us.

Definitely marry your best friend. That’s the most important thing. And marry someone who’s a good cook. That’s what I did, and it’s been a fabulous gift.

My husband and I are very similar in a lot of ways. We love gardening and so forth. But it works better if sometimes we do things separately. 

The design studio I worked for in Annapolis was all males. I was the token woman. But it was, you know — I had a wonderful time. I was a good designer, so people respected what I created, and it seemed to work out pretty well.


Chuck Close (July 5, 1940 - August 20, 2021)

The great American artist Chuck Close has sadly died at the age of 81. Our dear friends, David and Laurie Adamson, collaborated with Close for many decades. In 2007, David and Laurie's Adamson Gallery in Washington, DC presented the "Chuck Close Tapestries" exhibition, which was our first introduction to the magnificent "Kate Moss" Jacquard Tapestry, a reprise of Close's 2003 daguerreotype.

Chuck Close Tapestries
"Chuck Close Tapestries", Adamson Gallery, Washington, DC, 2007
A wonderful review:

Artist’s portrait of Kate Moss dazzles

There is no substitute for experiencing Close's Kate in person.

Close goes above and beyond the challenge of making us see Moss as we've never seen her, without resorting to gimmicks. He does so by bringing something both old and new to portraiture. Moss is shot straight-on, head-and-shoulders against a black background in a 19th-century daguerrotype image.

But instead of printing the image on paper, Close translates it using digital weaving techniques to create a 103-by-79-inch jacquard tapestry made up of 17,800 threads. [Ed: The tapestry, edition of 10, was woven in Belgium by the Magnolia Tapestry Project.]

The combination of scale and texture, along with the image's mix of crisply detailed and blurry areas, gives Kate a palpability that stops you in your tracks. Once you've caught your breath and moved closer, you get lost in the subtleties of woven light and shadow.

Stand back again, and your attention returns to Moss, whom Close has apparently shot without makeup, zits and all. She's haunting and radiant. If you've never understood fashion photographers' obsession with her, you do now.

The tapestry floats like a classic Mark Rothko painting, but it's grown out of Close's decades of transposing photographic portraits to paintings, using grids to take images apart and then reconstruct them. The fact that this time the reconstruction happened by digital methods rather than by hand doesn't leave the viewer cold — just the opposite. Close's tapestry portrait of Moss feels at least as intimate as anything he's done on canvas. This is what a deep engagement with portraiture looks like. — Douglas Britt, Houston Chronicle, 2008  

To our delight and amazement, friends Dan Snyder and Tom Breit bought the Kate tapestry and proudly hung the artwork in several of his Washington DC homes from 2007 – 2012.  

Cleveland Park, Washington DC, 2007

Embassy Row, Washington, DC, 2011



In 2011, the tapestry was featured in the prestigious "Capital Portraits" exhibition at the National Portrait Gallery in Washington, DC.

"Capitol Portraits" Exhibition Reception, National Portrait Gallery, 2011


In 2012, we acquired the beautiful Kate tapestry and happily hung her in our newly-built home in Sarasota, Florida where she has resided ever since. Our one brief, but exciting, in-person encounter with Chuck Close was in May 2017 at the Children's Health Fund annual benefit dinner at Cipriani 42nd Street in New York City.

Kate unfurled, 2012

Tom and Nhan helped Elliott hang the tapestry with care

Kate Tapestry, J+E Home, Lido Shores, Sarasota, FL

'No. 3 of 10' label by The Magnolia Tapestry Project

Janet and Chuck Close, New York City, 2017